Newest Songs
Hell Bound Train
A cautionary tale of damnation and redemption
You know about the train that was "bound for glory". Well, this train was going the other way on the opposite track.
Jolly Roving Tar
A sea song from Newfoundland
I found this jolly sea song from Newfoundland on one of the old 'American Folksay' albums produced on Stinson records by Moses Asch, performed by Frank Warner.
No Peas No Rice
A Bahamian jazz song
A Bahamian song recorded in the 1930s by big band leaders such as Mart Brit and Count Basie and in the Bahamas by Blind Blake Alfonso Higgs.
Thorneymore Woods
A song of the noble poacher, and mean gamekeepers
An English poaching ballad as performed by Louis Killen.
La Bruja
Vampire story from Vera Cruz, Mexico. Boo!
La Bruja is a song and traditional dance in the Huapango tradition from the state of Vera Cruz. The dance usually involves a number of women with lighted candles on their heads.
The Devil and Bailiff McGlynn
The devil takes his due
What a fine old Irish tale. But it derives from a history that is not so jolly - the mass evictions and house levelings that took place during the Irish famine of the mid-nineteenth century. No wonder the mother in the story cries "May the devil take that awful Bailiff!".
Spotted Cow
A naughty little English folk song
Here is a traditional English song, at least I think so, I heard it from Steel Eye Span, that parcel of rogues who brought fuzz-tone electric guitar to English folk music.
Italian Carol
A christmas song from Italy
An Italian carol adapted by Pete Seeger from an old tradition in Naples in which shepherds come down from the Calabrian mountains for a festive stay in that city during the Christmas celebration.
Wild Women Don't Have No Blues
A blues for strong women
This song was recorded by Ida Cox in 1924, Ida was one of great, if lesser known, female blues singers in the era of Bessie Smith, Ma Rainey and Sippie Wallace.
Mean Old Bedbug Blues
A blues from Bessie Smith
Each of these are classic blues performance in their own right and provide an interesting contrast between country blues and early jazz band styles. I always favored Bessie's rendition. I think her slower tempo with piano and guitar accompaniment captured the true creepiness of bedbugs.
Uncle Joe Gimme Mo
Calypso from Trinidad
This great Trinidadian Calypso song comes from an early recording by Wilmuth Houdini. I love the way these Calypsonians took "uncle joe and his old ban-jo", a common stereotype in minstrel shows, and transformed him into a rock star.
Monsieur Banjo
A creole song for kids
This children's song in Louisiana Creole. My version is an adaptation of Pete Seeger's English language version on 'American Favorite Ballads' and a French language version from the Magnolia Sisters on their delightful children's album 'Lapin Lapin'
Featured Songs
Hopalong Peter
An old time banjo song
This was recorded by J.E. Mainer's Mountaineers in the 1930's. I learned it from the NLCR.
Sweet Nora Lee
A sweet old banjo blues
This song comes from J. T. Adams, a blues singer from Indianapolis. I'm grateful to Art Rosenbaum for collecting it and sharing with the rest of us. The tuning is standard open G but tuned down to F. The chimes are my contribution.
Ella Speed
A great old ragtime blues from Leadbelly
This was among the songs from a ten-inch Capitol LP recorded by Leadbelly in Hollywood in 1944. Paul Mason Howard accompanies Leadbelly on the "Dulceola" (the blues zither!) absolutely rocked.
Lady Margaret
A ghost ballad
Pete Seeger played ths variation of "Fair Margaret and Sweet William" (Child 74) on his his Folkways 'American Favorite Ballads' albums. A recording session from the period that Pete describes in his musical autobiography, ‘Where have all the Flowers Gone:’
The Monkey and the Engineer
Jesse Fuller sings of a speedy simian
This ditty comes to us from Jessie "Lone Cat" Fuller - the amazing one man band and also author of 'San Francisco Bay Blues.' Jessie was amazing. He played simultaneously 12-String Guitar, harmonica, the high-hat and the futdella. The futdella was a big base instrument of Jessie's invention that he played with his feet.
Henry Lee
A very old murder ballad learned from Peggy Seeger
"Henry Lee" is Child #68. Pretty much the whole story you will hear in this rendition is contained in other variations, "Love Henry", "Earl Richard", “The Proud Girl.” And bits of the plot, scraps of lyrics and roughly related ideas cross fertilized still more songs like "Lady Margaret" and "Lost Henry."
Little Willie's My Darlin
A nice variant of Down in the Valley
This variant of 'Down in the Valley' can be heard on Mike and Peggy Seeger's wonderfully tender album 'Fly Down Little Bird'. It included several songs they had learned as kids, listening while their mother Ruth Crawford Seeger transcribed field recordings for the Lomax's.
Jackaro
A song of love, seamanship and cross-dressing
'Jackaro' is a Kentucky mountain variation on an old ballad called 'Jack Munroe.' The song was collected in Kentucky by Loraine Wyman and Howard Brockway and in Arkansas by Max Hunter. Jean Ritchie knew it is part of her own family tradition.
Dear Okie
A dustbowl song by a cowboy singer
From Texas radio songster Doye O'Dell with help fellow Cowboy actor Rudy Sooter. Doye grew up on a Texas cotton spread in the dustbowl era. He started a radio career with WDAG in Amarillo and then the famous Mexican border station XCPM. He finally landed his own NBC radio show produced in New York.
Country Blues
A banjo blues from Dock Boggs
I think my two very favorite old time banjo players are Uncle Dave Macon and Dock Boggs. I love Uncle Dave for his totally unrestrained hilarious joy. But Dock Boggs understood the blues, and this song is a fine example.
Railroad Bill
A bad man on the railway.
Any young finger-picker must master 'Railroad Bill'. It's a rite of passage. The song has been recorded hundreds of times going back to the 1920's by the best country, blues and folk musicians.
The Drovers Dream
A sheep drover's night visitation
This amusing little ditty and zoology lesson is another Australian bush ballad that I learned from the singing of A. L. Lloyd. It is one of many variants. The song likely derives from a poem appearing in The Kadina and Walleroo Times in 1889, called 'Visions of a Night Watch sent in by "C. J. 0. S" of New South Wales.