Newest Songs
Hell Bound Train
A cautionary tale of damnation and redemption
You know about the train that was "bound for glory". Well, this train was going the other way on the opposite track.
Jolly Roving Tar
A sea song from Newfoundland
I found this jolly sea song from Newfoundland on one of the old 'American Folksay' albums produced on Stinson records by Moses Asch, performed by Frank Warner.
No Peas No Rice
A Bahamian jazz song
A Bahamian song recorded in the 1930s by big band leaders such as Mart Brit and Count Basie and in the Bahamas by Blind Blake Alfonso Higgs.
Thorneymore Woods
A song of the noble poacher, and mean gamekeepers
An English poaching ballad as performed by Louis Killen.
La Bruja
Vampire story from Vera Cruz, Mexico. Boo!
La Bruja is a song and traditional dance in the Huapango tradition from the state of Vera Cruz. The dance usually involves a number of women with lighted candles on their heads.
The Devil and Bailiff McGlynn
The devil takes his due
What a fine old Irish tale. But it derives from a history that is not so jolly - the mass evictions and house levelings that took place during the Irish famine of the mid-nineteenth century. No wonder the mother in the story cries "May the devil take that awful Bailiff!".
Spotted Cow
A naughty little English folk song
Here is a traditional English song, at least I think so, I heard it from Steel Eye Span, that parcel of rogues who brought fuzz-tone electric guitar to English folk music.
Italian Carol
A christmas song from Italy
An Italian carol adapted by Pete Seeger from an old tradition in Naples in which shepherds come down from the Calabrian mountains for a festive stay in that city during the Christmas celebration.
Wild Women Don't Have No Blues
A blues for strong women
This song was recorded by Ida Cox in 1924, Ida was one of great, if lesser known, female blues singers in the era of Bessie Smith, Ma Rainey and Sippie Wallace.
Mean Old Bedbug Blues
A blues from Bessie Smith
Each of these are classic blues performance in their own right and provide an interesting contrast between country blues and early jazz band styles. I always favored Bessie's rendition. I think her slower tempo with piano and guitar accompaniment captured the true creepiness of bedbugs.
Uncle Joe Gimme Mo
Calypso from Trinidad
This great Trinidadian Calypso song comes from an early recording by Wilmuth Houdini. I love the way these Calypsonians took "uncle joe and his old ban-jo", a common stereotype in minstrel shows, and transformed him into a rock star.
Monsieur Banjo
A creole song for kids
This children's song in Louisiana Creole. My version is an adaptation of Pete Seeger's English language version on 'American Favorite Ballads' and a French language version from the Magnolia Sisters on their delightful children's album 'Lapin Lapin'
Featured Songs
Hopalong Peter
An old time banjo song
This was recorded by J.E. Mainer's Mountaineers in the 1930's. I learned it from the NLCR.
Two Hobo Songs
Hobo songs from Jimmy Rogers, Cisco Houston and Blind Boy Grunt
Two songs written on the same sad theme. The first by Jimmy Rogers. The second was recorded in the 1960's on Broadside Ballads. The singer was billed as Blind Boy Grunt and he sounded remarkably like Bob Dylan who was under contract at Columbia at the time.
The Horse with a Union Label
Even the broncos support the union
Here's a cowboy song by Mike Stratton and Saul Aarons from the People's Songbook.
Blackjack Davy
A famous ballad aka Gypsy Davy
This is the oldest song I know. Wait, I already said that about 'Froggy' and 'Farmers Curst Wife'. Well, who knows, but this is known far and wide as Blackjack Davy, Gypsy Davy, Blackjack Daisy, and most creatively in Frank Proffit's version, 'The Gips of David'.
Hares on the Mountain
A jolly old English girl chasing song
I've heard many variations of this favorite old English folksong this one comes from the singing of Tim Hart with Steeleye Span. I was most saddened to hear of Tim's death in 2009 from cancer. He was a year younger than me.
Little Birdie
An essential mountain banjo song with its own tuning.
Every country banjo player, oldtime and bluegrass alike, does Little Birdie. I learned this tuning and style from Art Rosenbaum in "The Art of the Mountain Banjo" - Mel Bay. Art credits Pete Steele as the inspiration for his version. I also take some inspiration from Ralph Stanley.
Who Killed Cock Robin
The birds hold a memorial
This version comes from the singing of Edith Harmon in a field recording made near Maryville, Tennessee in 1939. The original porem has origins in the 14th century or earlier. There is plenty of speculation about symbolic meanings or political significance. I just loved its haunting melody.
Since I Laid my Burden Down
A spiritual
This old African-American spiritual is well known especially in the Mississippi delta country. I have taken bits of lyric, tune and inspiration from the performances of Mississippi John Hurt, Furry Lewis, Mississippi Fred McDowel, Roy Acuff, and Odetta.
Trouble In Mind
A slow eight bar blues that everyone knows.
Here's a classic blues standard. 'Trouble in Mind' was written by Richard M. Jones and first recorded in 1924. Since then, anyone who sings blues has sung it. It is an irresistibly playable slow blues that invites you to noodle around to your heart's content and, if you are good enough, you audience's delight.
Down in the Valley
A favorite American ballad
Down in the Valley is one of the best known, best loved and one of the most authentically traditional of American folk songs. My parents sang it to me as a lullaby. There's another nice variant of this song on the site. See Little Willie's My Darlin'
Riley and Spencer
A drinking song of the South
Unlike most of the country songs I sing there are no early recordings of 'Riley and Spencer.' This one comes to us from some more recent traditional singers such as Tommy Jarrell and Betsy Rutherford. Betsy said that she learned "Riley and Spencer" from her relative Fields Ward, who wrote it.
Kitty Waltz
A lovely waltz from the Carter Family
The Cater Family recorded Kitty Waltz in Atlanta in 1929. It is a lovely piece and quite unusual for them. It sounds more like nineteenth century parlor music than the traditional material they usually liked.