Newest Songs
Hell Bound Train
A cautionary tale of damnation and redemption
You know about the train that was "bound for glory". Well, this train was going the other way on the opposite track.
Jolly Roving Tar
A sea song from Newfoundland
I found this jolly sea song from Newfoundland on one of the old 'American Folksay' albums produced on Stinson records by Moses Asch, performed by Frank Warner.
No Peas No Rice
A Bahamian jazz song
A Bahamian song recorded in the 1930s by big band leaders such as Mart Brit and Count Basie and in the Bahamas by Blind Blake Alfonso Higgs.
Thorneymore Woods
A song of the noble poacher, and mean gamekeepers
An English poaching ballad as performed by Louis Killen.
La Bruja
Vampire story from Vera Cruz, Mexico. Boo!
La Bruja is a song and traditional dance in the Huapango tradition from the state of Vera Cruz. The dance usually involves a number of women with lighted candles on their heads.
The Devil and Bailiff McGlynn
The devil takes his due
What a fine old Irish tale. But it derives from a history that is not so jolly - the mass evictions and house levelings that took place during the Irish famine of the mid-nineteenth century. No wonder the mother in the story cries "May the devil take that awful Bailiff!".
Spotted Cow
A naughty little English folk song
Here is a traditional English song, at least I think so, I heard it from Steel Eye Span, that parcel of rogues who brought fuzz-tone electric guitar to English folk music.
Italian Carol
A christmas song from Italy
An Italian carol adapted by Pete Seeger from an old tradition in Naples in which shepherds come down from the Calabrian mountains for a festive stay in that city during the Christmas celebration.
Wild Women Don't Have No Blues
A blues for strong women
This song was recorded by Ida Cox in 1924, Ida was one of great, if lesser known, female blues singers in the era of Bessie Smith, Ma Rainey and Sippie Wallace.
Mean Old Bedbug Blues
A blues from Bessie Smith
Each of these are classic blues performance in their own right and provide an interesting contrast between country blues and early jazz band styles. I always favored Bessie's rendition. I think her slower tempo with piano and guitar accompaniment captured the true creepiness of bedbugs.
Uncle Joe Gimme Mo
Calypso from Trinidad
This great Trinidadian Calypso song comes from an early recording by Wilmuth Houdini. I love the way these Calypsonians took "uncle joe and his old ban-jo", a common stereotype in minstrel shows, and transformed him into a rock star.
Monsieur Banjo
A creole song for kids
This children's song in Louisiana Creole. My version is an adaptation of Pete Seeger's English language version on 'American Favorite Ballads' and a French language version from the Magnolia Sisters on their delightful children's album 'Lapin Lapin'
Featured Songs
Hopalong Peter
An old time banjo song
This was recorded by J.E. Mainer's Mountaineers in the 1930's. I learned it from the NLCR.
Ramblin Gambler
A very Texas version of this song. From Alan Lomax.
Alan Lomax performed this song on his Texas Folk Songs album, featuing Guy Carawan's banjo playing and John Cole's harmonica.
Two Hobo Songs
Hobo songs from Jimmy Rogers, Cisco Houston and Blind Boy Grunt
Two songs written on the same sad theme. The first by Jimmy Rogers. The second was recorded in the 1960's on Broadside Ballads. The singer was billed as Blind Boy Grunt and he sounded remarkably like Bob Dylan who was under contract at Columbia at the time.
Lady Margaret
A ghost ballad
Pete Seeger played ths variation of "Fair Margaret and Sweet William" (Child 74) on his his Folkways 'American Favorite Ballads' albums. A recording session from the period that Pete describes in his musical autobiography, ‘Where have all the Flowers Gone:’
Hard Times in the Mill
A labor song from cotton mills
Here's a song of struggle in the cotton mills in the 1890's. It comes to us from the singing of Lessie Croker, a knitting mill worker from Columbia South Carolina, by way of Pete Seeger's "American Industrial Ballads" on Folkways Records. It was recorded by Pete, Hedy West and Joe Glazer in the 1960's.
Pretty Polly and False William
A different telling of Pretty Polly
The banjo arrangement is my own, using one of Peggy Seeger's dulcimer tunings that I learned from her Banjo method book 'Five String Banjo America Folk Styles' - 1960 .
Betty and Dupree
A song of love and armed robbery.
Here's a good old blues that has been recorded by the likes of Brownie McGee, Josh White, Georgia White, Robert McCoy, Washboard Willie and Big Joe Duskin. Chuck Willis give it a rock-and-roll treatment in 1958 and the Grateful Dead rocked with it in 1966. I learned this version from the singing of Dave Van Ronk.
Billy Barlow
A hunting song for kids
For great traditional childrens songs look fror records by various folks named Seeger - 'American Folk Songs for Children' (Mike and Peggy) and 'Animal Folk Songs for Children' (Mike, Peggy, Penny and Barbara), adapted from Ruth Crawford Seeger's two song books by the same names. Here is one from the collection.
Beans, Bacon and Gravy
An industrial ballad from Pete Seeger
In honor of Pete Seeger's ninety-fourth birthday I am playing this depression era song just as he did on American Industrial Ballads.
My Sweet Farm Girl
A naughty banjo blues from Tom Ashley
Tom Ashley recorded this naughty little song for Vocalion in 1932. Later it turns up on an obscure 10 inch Folkways LP called "Earth is Earth", sung by the New Lost City Ramblers under a thinly disguised pseudonym. The album included a few other songs of a similarly questionable nature.
Swannanoa Tunnel
A mountain railroad song
The Swannanoa Tunnel was constructed in Western North Carolina by more than 1800 workers. Some 500 of them were convict laborers, mostly African-Americans, who were transported from the eastern part of the state. The work started in 1855 and took 24 years to finish. In this time countless workers lost their lives.
Kitty Waltz
A lovely waltz from the Carter Family
The Cater Family recorded Kitty Waltz in Atlanta in 1929. It is a lovely piece and quite unusual for them. It sounds more like nineteenth century parlor music than the traditional material they usually liked.